Tag Archives: sculpture

Majestic Gallery National Show

The Majestic Gallery in Nelsonville, Ohio will be exhibiting two of my sculptures as part of their Majestic National juried show. The show opens on October 27 as part of the Final Friday events. Final Fridays in Nelsonville are a wonderful example of community fun, the square is pedestrian friendly, it’s laid back and has a wonderful range of art experiences.
The featured photo shows a slumped glass and ceramic sculpture “Carried Away”. Also in the show is “Medusa” a stoneware wall sculpture shown below.

Medusa

https://attedragon.wixsite.com/majesticgalleries

Where to find my work fall,2017

You can always see most of the things I make in my store by clicking the tab on the upper left corner of this page.

I also make sculptures that I exhibit in juried shows.  This fall as part of the Women in Appalachia Project three of my sculptures will be on view at four galleries in Ohio and West Virginia.

https://www.womenofappalachia.com/

glass and clay, untitled

view 2

Green Woman

Greenman                                                                                    

 

exhibitions 2017

Four of my slumped glass and clay sculptures will be on display this winter.  “Off Course” seen above and below will be in the Athens Voices show that starts in Athens Ohio on Jan 13.

click the link below to see where it will sail off to next…

Athens Voices USA 2017

 

Three more sculptures  will be in the Ohio University Multicultural Center Gallery in Baker Center as part of the Women of Appalachia Project.  I’ll be helping to hang the show with several other artists, this is one of the perks, getting to know other artists in a relaxed space where we all work together to put on a show.  And quite a show it is, funny, thoughtful, personal, evocative, and poetic!   The opening reception is on Feb 3 from 5-8pm.  click on the link below for more info

 

 

 

 

 

http://www.womenofappalachia.com/

Green Men/Women

The featured image above is the green man that inspired a custom order.  The customer requested a happier visage, most of my guys look somewhat stony.  I did do a winking green man many years ago I’ll try to dig up a pic before I finish this post (it was taken in my pre digital days).  Most of the green man facial features are limited to eyes, nose and mouth.  I often spend time working a dimple or crease only to have it disappear under the leaves.  I still do all the foundation work because it defines the lines that I will follow later.

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When I do a custom order I usually make at least two, the fire goddess can be cruel.  This is contestant number one for my customer to choose from.  He is larger, has darker green glaze because of the thickness of the glaze.  I think he looks like he has just gotten a joke or he is about to tell one.  The next three photos show close ups of him showing the definition in the leaves.

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Contestant number two  is a little smaller, and a little more triangular in shape.  The glaze gets thinner in some spots and lets the leafy details shine through.  I poured this glaze onto the piece while I was holding it over a bucket to catch the overflow.  I used the same procedure for both, but the results vary because it is very difficult to see the different thicknesses until the piece is fired.

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DSC_1171As you compare the two green men consider that I hand form each face.  I think there is a strong family resemblance mostly in my magnificent noses but they come by it honestly.  I will end this post with a gallery of green men and women that I have made.  enjoy

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Greenwoman with matte copper glaze and all Maple leaves

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one of my early Greenmen with a matte green glaze

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the first Greenman with multiple green stains fired on

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Bacchus with stains, no glaze

Another custom order from Decadent Greenman

Scarred Woman

Scarred Woman

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Bacchus with light green glaze and red grapes

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Sacred Oak Greenman with all oak leaves showing the four directions in a light green glaze

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Paw Paw leaf Sun Greenman

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Winking Greenman

 

 

“The River” exhibit at the Parkersburg Art Center

My work will be on view at the Parkersburg Art Center as part of “The River” a biennial juried exhibition.  The exhibit runs from June 26 through August 6, 2016.  An Opening Reception is on June 26 from 1-3 pm come join the fun!

Here are my three Fish sculptures that are in the show.

Silica Based Life FormFish

Silica Based Life Form Fish #3220

Silica Based Life Form Fish #3439

Silica Based Life Form
Fish #3439

Silica Based Life Form, Fish #9277

Silica Based Life Form Fish #9277

All of these pieces are from my Silica Based Life Form Series that began in 2013 and continues to evolve.

Here is a link to the Parkersburg Art Center for more information.

http://www.parkersburgartcenter.org/

 

Women of Appalachia art exhibit 2015

This years Women of Appalachia Show has again gathered some very fine artwork made by women who live and work in the many counties of Appalachia.  I’m proud to be apart of this traveling exhibit and I hope you can get to see the show and go to one of the poetry and short story performances.

These are the sculptures that I have in the show.  There is a link to the website with more information at the end of this post.

OFF COURSE glass, clay, stone,shell

OFF COURSE
glass, clay, stone,shell

Below are three of my Fish from the Silica Based Life Form series

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McDonough 2a DSC_3421

http://www.womenofappalachia.com/

You can see this amazing show now at the Parkersburg Art Center, in the Multicultural Gallery in Baker Center, Athens Ohio from Jan 12 through April 30 2016 and at the Pump House Center for the Arts in Chillicothe from May 5 to ?

There is also a written word aspect to this show and three more readings will be held in December, March and May.  These are real women telling their own stories and sharing their poetry.

migrating fish

My Silica Based Life Form Fish have really been getting around.  This one just came home from the Zanesville Museum of Art’s 70th Ohio Exhibition.

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The Fish below just landed at the Dairy Barn in Athens Ohio and will travel to Athens West Virginia and Athens Georgia over the next year as part of the Athens Voices Show  Upcoming Exhibitions | Dairy Barn

Silica Based Life Form Fish

Silica Based Life Form
Fish

Five more of my slumped glass sculptures will be moving from Parkersburg West Virginia to Athens Ohio as part of the Women of Appalachia Show

Women of Appalachia | Their Stories & Their Art Exhibition

In the Eye of the Storm

In the Eye of the Storm

Silica Based Life Form Flower

Silica Based Life Form
Flower

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There’s an opening at the Dairy Barn January 16, 2015 from 5-7 pm and a reception for the Women of Appalachia Exhibit at the Multicultural Center in Athens Ohio March 13, 2015.

All of these sculptures are for sale if you live close enough we can negotiate the shipping charges.

 

 

STONEHENGE

Stonehenge, a circle of enormous stones brought to that spot by people working with stone and wood tools.  Two different types of stone, one for the posts and one for the lintels.  Knobs carved into the uprights and holes carved into the cross stones to hold them in place.

 

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Not much is known about the people who built it but we can surmise that they were well organized and had the time and desire to build a place that was concerned with the passage of the sun.  Early peoples were much more acquainted with the changes of the moon and sun cycles and the effects on their everyday lives.

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the following is an excerpt from wikipedia, there is a lot more info there

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“Stonehenge evolved in several construction phases spanning at least 1,500 years. There is evidence of large-scale construction on and around the monument that perhaps extends the landscape’s time frame to 6,500 years.  It is in the middle of the most dense complex of Neolithic and Bronze Age monuments in England, including several hundred burial mounds.[1]

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The surrounding circular earth bank and ditch, which constitute the earliest phase of the monument, have been dated to about 3100 BC.

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Evidence of the second phase is no longer visible. The number of postholes dating to the early 3rd millennium BC suggest that some form of timber structure was built within the enclosure during this period.

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Archaeological excavation has indicated that around 2600 BC, the builders abandoned timber in favor of stone and dug two concentric arrays of holes  in the centre of the site. These stone sockets are only partly known (hence on present evidence are sometimes described as forming ‘crescents’); however, they could be the remains of a double ring.

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The north-eastern entrance was widened at this time, with the result that it precisely matched the direction of the midsummer sunrise and midwinter sunset of the period. This phase of the monument was abandoned unfinished, however; the small standing stones were apparently removed and the holes purposefully backfilled. Even so, the monument appears to have eclipsed the site at Avebury in importance towards the end of this phase.

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During the next major phase of activity, 30 enormous OligoceneMiocene sarsen stones (shown grey on the plan) were brought to the site. They may have come from a quarry, around 25 miles (40 km) north of Stonehenge on the Marlborough Downs, or they may have been collected from a “litter” of sarsens on thechalk downs, closer to hand. The stones were dressed and fashioned with mortise and tenon joints before 30 were erected as a 33 metres (108 ft) diameter circle of standing stones, with a ring of 30 lintel stones resting on top. The lintels were fitted to one another using another woodworking method, the tongue and groove joint”

the guides were very well informed and they worked for peanuts!!!

 

 

 

 

Green Man a how-to-tutorial

I recently got a commission to make a Green man and I took the opportunity to document the process.

I make my green men and women using basic hand building techniques.  I start with a large lump of clay 5-6 pounds and I form a shallow bowl just like a large pinch pot, slowly pressing into the lump and squeezing until I have an oval shape that is 1/2 – 1″ thick, and the sides are 2-3″ tall.  The bowl shape is about the size of a large face.  I go large because fired clay shrinks with each firing and I want them to be on the monumental side.

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Then I wait,,,when the clay is ready, and this is crucial, it’s time to start pushing, pressing, shaving and adding clay to form a face.  The clay needs to be pretty pliable but not so soft as to collapse.  The thickness of the bowl helps by giving without ripping.  How long to wait? That depends on the humidity and can be slowed by wrapping tight or loosely in plastic.  Resist the temptation to hurry the drying as this will probably just form a stiff skin on the out side making it hard to push.DSC_5402

I use photos of faces, my own face and my fingers as a ruler to rough out the proportions. I concentrate on eyes, nose and mouth since the rest will be covered by leaves.  It takes several days working a few hours each day to finish the face.  The clay is kept moist by sponging with water and wrapping in plastic during the forming phase.  This is important so the leaves will adhere properly.  It also allows for fine work at the end of the process.DSC_5418 DSC_5420

 

The leaves are cut from slabs of clay about 1/4″ thick.  I use real leaves collected in the fall, green leaves rot quickly but some have to be used green for example grape and paw paw because they don’t store well.  A large green man can take up to 36 leaves.

The assembly must be done on the kiln shelf because the piece can’t be moved once it is dry.  I add a coil of clay in a circle around the face to attach the leaves and give a little space for fingers to pick it up.DSC_5443 DSC_5445

After the piece is completely dry, it is bisque fired to cone 04.  The item featured here took over a week to dry because mother nature brought on the rain that week and even with fans I had to do a two day slow dry in the kiln to be sure.  Be careful drying in the kiln, you can dry out the skin and leave a bit of moisture inside leading to a spectacular explosion and a pile of shards.

drying...

drying…

still drying....

still drying….

After the bisque firing the piece can be handled, the dust washed off, and glaze or stains applied. One more firing to a higher temperature, cone 4, and then we wait,,,,,, for everything to cool off!

all fired up in the kiln

all fired up in the kiln

 

after the first firing

after the first firing

 

Who Who Who? Owls that’s who!!

The owls have arrived in a variety of sizes and colors.

who's on first?

who’s on first?

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Still working on a poem, these things take their own time.

who are you?

who are you?

 

 

 

They are a HOOT to make so more will hatch…………

Here’s the poem!!

 

 

poems are included with each owl printed on bright card stock and tucked inside.

  Owl

Who sits silently in the trees

Who takes flight on the midnight breeze

Scourge of rodents near and far

Sage of the woods Who sees all

Who’ll keep watch all through the night

Counting stars while you sleep tight